Or a shot of Spidey is animated when he shoots a webline so I have to draw a couple extra shots of Spidey so the tech crew can assemble all the art to animate in the right way.” “Panels are animated to overlay the previous screen as the story progresses. “It’s not drawn like a regular comic book page but rather a series of screens since the book goes digital first the book will go to print shortly after,” Nauck explains. When I was in New York, we did a writers’ room for the upcoming Spider-Women event, and Dennis Hopeless and Jason Latour also offered some fantastic advice for how to write to the strengths of Infinite Comics as the process moved on, which was a great deal of help.” Then I plotted out the details and we traded that document back and forth, building out the story. White and Nick Lowe and I got on the phone and hashed out the basic idea for the story. “The approach to this story was totally different from any other writing I’ve done in comics,” Thompson confesses.

However, before the time-traveling adventure can begin Robbie Thompson and Todd Nauck have to learn the ropes and overcome the challenges presented by the Infinite Comic format. In Robbie Thompson and artist Todd Nauck’s upcoming Amazing Spider-Man/Silk: The Spider(Fly) Effect, Spider-Man and Silk team up on a journey through time.

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Silk (2015) #2 by Robbie Thompson